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My name is Adriana Jaroslavsky (b. 1987, Caracas, Venezuela). I work with sculpture, installation, and materials in tension—things that breathe, resist, sag, or hover. My practice moves between structure and softness, logic and dream, the visible and the felt. I’m drawn to failed systems, ghost architectures, and internal landscapes that never fully settle.

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I see my works as fragile structures—held together by their own uncertainty. Forms lean into one another, unsure whether they’re resting or resisting. Tubes bend like thoughts mid-formation; metal whispers to plastic, and the plastic breathes back. I let materials shift and misbehave—process is a collaborator, not a means to an end.

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Much of my work exists in a liminal state: unfinished, suspended, gently alert. I’m interested in that shimmer between knowing and feeling, where things are familiar but strange. Sometimes, choosing a form feels like a weapon disguised as intention. A weapon of choice.

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